About the Artist: Frederick Childe Hassam

Childe Hassam was a leading American impressionist painter and printmaker. The son of a prosperous hardware merchant and antique collector, Hassam (christened Frederick Childe Hassam) was born in 1859 near Boston. In 1872 a great fire in Boston destroyed his father’s business, forcing Hassam to leave school. He found a job with a publishing firm, but having little talent for business, he began work as an apprentice to a wood engraver and later created illustrations for such magazines as Harper’s and The Century. Between 1877 and 1879, Hassam attended evening classes at the Boston Art Club, studied briefly with William Rimmer at the Lowell Institute, and also took private painting lessons.

The piece above is available for custom reproduction through the Florence Griswold Museum’s RequestAPrint site. 

At the age of twenty-four, Hassam visited Great Britain and the European Continent for two months. In 1886 he moved to Paris, where he studied at the conservative art school, Académie Julian. Hassam was attracted to French Impressionism, however, and readily absorbed elements of the avant-garde style. Hassam returned to the United States in 1889, moving from Boston to New York. Integrating his understanding of impressionism with his own tendency toward clear compositional structure and forms, he painted many views of the city. Noted for their light impressionist colors, quick brushstrokes, and also their solidity, his city views were well received, and he became known as one of the leading American impressionists. Hassam was able to return to Europe twice between 1897 and 1910, visiting Pont-Aven, where many Post-Impressionists had painted, and, on his last trip, southern Spain. In late 1897, he withdrew from the Society of American Artists and co-founded the Ten American Painters with fellow American Impressionists J. Alden Weirand John Twachtman.

In 1915, influenced in part by the work of his friend Weir, Hassam began experimenting with etching and, two years later, lithography. In 1920, having summered at various seaside resorts since 1882, he established a permanent summer studio in East Hampton, Long Island. During the remaining fifteen years of his life, Hassam continued to exhibit regularly, enjoying national recognition and receiving numerous awards and honors.

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(Information Credit: phillipscollection.org)

Clyde Singer: “March at the Whitney”

“March at the Whitney” by Clyde Singer. Canton Museum of Art

Clyde Singer was born in the small town of Malvern in 1908 and grew up in the rural hills of Ohio. Educated in the local public schools, he had an early interest in art and, after high school, attended the school at the Columbus Gallery of Fine Arts. In 1933 he received a scholarship to the Arts Students’ League in New York City where his mentors were “American Scene” painters John Steuart Curry and Thomas Hart Benton. During his seven years in New York City, Singer developed a friendship with artist John Sloan, one of “The Eight” of the Ashcan School, a group of artists who painted gritty urban scenes and preceded the American Scene.

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Primarily oils and watercolors, Singer’s early work focused on rural and small-town life in Ohio. Later in his career his art shifted to scenes of contemporary urban life. In 1940 Singer became the assistant director at the Butler Institute of American Art in Youngstown, Ohio, and, except for military service during World War II, remained there until his death in 1999. Singer completed more than 3,000 paintings during his career and is best known for his American Scene paintings.

Singer’s paintings are part of the permanent collections of many museums throughout the United States, and his work has been exhibited at the Whitney Museum, the Corcoran Gallery, the Chicago Art Institute, the National Academy of Design, the Massillon Museum, the Canton Museum of Art, and the Butler Institute of American Art.

With 120 full-color reproductions of his paintings, as well as photographs of the artist at work and with his friends and family,Clyde Singer’s America places the artist in the context of his time and makes his work available to a new and appreciative audience.

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(Information credit: kentstateuniversitypress.com)

About the Artist: Norman Rockwell

“The Street was Never the Same Again” by Norman Rockwell. Detroit Historical Society.

Born Norman Percevel Rockwell in New York City on February 3, 1894, Norman Rockwell knew at the age of 14 that he wanted to be an artist, and began taking classes at The New School of Art. By the age of 16, Rockwell was so intent on pursuing his passion that he dropped out of high school and enrolled at the National Academy of Design. He later transferred to the Art Students League of New York. Upon graduating, Rockwell found immediate work as an illustrator forBoys’ Life magazine.

His piece “The Street was Never the Same Again” is available for custom reproduction to fit your home decor. See this image on RequestAPrint. 

By 1916, a 22-year-old Rockwell, newly married to his first wife, Irene O’Connor, had painted his first cover for The Saturday Evening Post—the beginning of a 47-year relationship with the iconic American magazine. In all, Rockwell painted 321 covers for the Post. Some of his most iconic covers included the 1927 celebration of Charles Lindbergh’s crossing of the Atlantic. He also worked for other magazines, including Look, which in 1969 featured a Rockwell cover depicting the imprint of Neil Armstrong’s left foot on the surface of the moon after the successful moon landing. In 1920, the Boy Scouts of America featured a Rockwell painting in its calendar. Rockwell continued to paint for the Boy Scouts for the rest of his life.

The 1930s and ’40s proved to be the most fruitful period for Rockwell. In 1930, he married Mary Barstow, a schoolteacher, and they had three sons: Jarvis, Thomas and Peter. The Rockwells relocated to Arlington, Vermont, in 1939, and the new world that greeted Norman offered the perfect material for the artist to draw from. Rockwell’s success stemmed to a large degree from his careful appreciation for everyday American scenes, the warmth of small-town life in particular. Often what he depicted was treated with a certain simple charm and sense of humor. Some critics dismissed him for not having real artistic merit, but Rockwell’s reasons for painting what he did were grounded in the world that was around him. “Maybe as I grew up and found the world wasn’t the perfect place I had thought it to be, I unconsciously decided that if it wasn’t an ideal world, it should be, and so painted only the ideal aspects of it,” he once said.

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(Information credit: biography.com)

Individual Artist: Mitzura Salgian

Mitzura Salgian is a Fine Artist with a masterful technique and reverence for detail. Her distinctive style is rooted in the Baroque richness of imagery and the Surrealist sense of marvelous to which she was drawn since her early teens. Mitzura is an American artist of Romanian origin. She was educated in her native city of Bucharest, where she received MFA from the Fine Arts Institute.

After moving to the United States, Mitzura began developing her artistic style and perfecting her technique. Her paintings have been widely exhibited in places like the New Britain Museum of American Art in New Britain, Connecticut; the Butler Institute of American Art in Youngstown, Ohio; the Society of Illustrators and Museum of American Illustration in New York City; the Trenton City Museum in Trenton, New Jersey; Nina’s Choice Gallery at Bergdorf Goodman, New York City; Bergstrom-Mahler

Museum in Neenah, Wisconsin; the National Arts Club, the Salmagundi Club Galleries and the New York University Washington Square East Galleries, all in New York City; the Attleboro Arts Museum in Attleboro, Massachusetts; the Turtle Bay Museum in Redding, California; the Danville Museum of Fine Arts And History in Danville, Virginia; the Huntsville Museum of Art in Huntsville, Alabama; the Museum of Texas Tech University in Lubbock, Texas; the World Bank Auditorium in Washington, District of Columbia.

Mitzura’s work is part of the permanent collection of the New Britain Museum of American Art.

Recognized in art shows and competitions, Mitzura received medals and awards for her paintings. Among them: the Gold Medal of Honor, Audubon Artists; the Silver Medal of Honor, Allied Artists of America; New Britain Museum of American Art Award for Oil Painting; Best in Show Painting and Utrecht Award of Excellence, 27th Ellarslie Open at Trenton City Museum; Dorothy Barberis Memorial Award and Tamsin L. Holzer Memorial Award, Catherine Lorillard Wolfe Art Club; Midyear Show Honorable Mention Award, Butler Institute of American Art; Midamerica Pastel Society Award, Pastel Society of America; 4th Place in Show, Connecticut Academy of Fine Arts; Award of Excellence, Society of Newspaper Design; Certificate of Merit, Society of Illustrators and Museum of American Illustrators.

Mitzura created Editorial and Book Illustrations for clients like The New York Times, Gulf+Western, Games and Health magazines and she was commissioned by major publishers: Random House, Harper-Collins, Ballantine, St Martin’s Press, Scholastic, Bantam, Harlequin, Pocket Books, Dell, Zebra, Thorndike Press.

Among Best-Seller Authors whose book jackets have been illustrated by Mitzura Salgian are: Agatha Christie, John Updike, Eric Lustbader, Anne Perry, Jeffrey Archer, Jude Deveraux, Bryce Courtenay, Liza Cody, Lavyrle Spencer, Paul Theroux, Andrew M. Greeley, Diane Pearson, Iain Pears, Linda Lael Miller, Edward Marston, Ann Cleeves.

As a Designer, Mitzura created original pieces for companies like Lenox and The Bradford Exchange.

Mitzura teaches at Parsons New School for Design – Parsons School of Fashion.

She is a member of the Executive Board of the Allied Artists of America.

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