About the Artist: Frederick Childe Hassam

Childe Hassam was a leading American impressionist painter and printmaker. The son of a prosperous hardware merchant and antique collector, Hassam (christened Frederick Childe Hassam) was born in 1859 near Boston. In 1872 a great fire in Boston destroyed his father’s business, forcing Hassam to leave school. He found a job with a publishing firm, but having little talent for business, he began work as an apprentice to a wood engraver and later created illustrations for such magazines as Harper’s and The Century. Between 1877 and 1879, Hassam attended evening classes at the Boston Art Club, studied briefly with William Rimmer at the Lowell Institute, and also took private painting lessons.

The piece above is available for custom reproduction through the Florence Griswold Museum’s RequestAPrint site. 

At the age of twenty-four, Hassam visited Great Britain and the European Continent for two months. In 1886 he moved to Paris, where he studied at the conservative art school, Académie Julian. Hassam was attracted to French Impressionism, however, and readily absorbed elements of the avant-garde style. Hassam returned to the United States in 1889, moving from Boston to New York. Integrating his understanding of impressionism with his own tendency toward clear compositional structure and forms, he painted many views of the city. Noted for their light impressionist colors, quick brushstrokes, and also their solidity, his city views were well received, and he became known as one of the leading American impressionists. Hassam was able to return to Europe twice between 1897 and 1910, visiting Pont-Aven, where many Post-Impressionists had painted, and, on his last trip, southern Spain. In late 1897, he withdrew from the Society of American Artists and co-founded the Ten American Painters with fellow American Impressionists J. Alden Weirand John Twachtman.

In 1915, influenced in part by the work of his friend Weir, Hassam began experimenting with etching and, two years later, lithography. In 1920, having summered at various seaside resorts since 1882, he established a permanent summer studio in East Hampton, Long Island. During the remaining fifteen years of his life, Hassam continued to exhibit regularly, enjoying national recognition and receiving numerous awards and honors.

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(Information Credit: phillipscollection.org)

About the Artist: Norman Rockwell

“The Street was Never the Same Again” by Norman Rockwell. Detroit Historical Society.

Born Norman Percevel Rockwell in New York City on February 3, 1894, Norman Rockwell knew at the age of 14 that he wanted to be an artist, and began taking classes at The New School of Art. By the age of 16, Rockwell was so intent on pursuing his passion that he dropped out of high school and enrolled at the National Academy of Design. He later transferred to the Art Students League of New York. Upon graduating, Rockwell found immediate work as an illustrator forBoys’ Life magazine.

His piece “The Street was Never the Same Again” is available for custom reproduction to fit your home decor. See this image on RequestAPrint. 

By 1916, a 22-year-old Rockwell, newly married to his first wife, Irene O’Connor, had painted his first cover for The Saturday Evening Post—the beginning of a 47-year relationship with the iconic American magazine. In all, Rockwell painted 321 covers for the Post. Some of his most iconic covers included the 1927 celebration of Charles Lindbergh’s crossing of the Atlantic. He also worked for other magazines, including Look, which in 1969 featured a Rockwell cover depicting the imprint of Neil Armstrong’s left foot on the surface of the moon after the successful moon landing. In 1920, the Boy Scouts of America featured a Rockwell painting in its calendar. Rockwell continued to paint for the Boy Scouts for the rest of his life.

The 1930s and ’40s proved to be the most fruitful period for Rockwell. In 1930, he married Mary Barstow, a schoolteacher, and they had three sons: Jarvis, Thomas and Peter. The Rockwells relocated to Arlington, Vermont, in 1939, and the new world that greeted Norman offered the perfect material for the artist to draw from. Rockwell’s success stemmed to a large degree from his careful appreciation for everyday American scenes, the warmth of small-town life in particular. Often what he depicted was treated with a certain simple charm and sense of humor. Some critics dismissed him for not having real artistic merit, but Rockwell’s reasons for painting what he did were grounded in the world that was around him. “Maybe as I grew up and found the world wasn’t the perfect place I had thought it to be, I unconsciously decided that if it wasn’t an ideal world, it should be, and so painted only the ideal aspects of it,” he once said.

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(Information credit: biography.com)

Robert Vonnoh: In Flanders Field – Where Soldiers Sleep and Poppies Grow

“In Flanders Field – Where Soldiers Sleep and Poppies Grow” by Robert Vonnoh. The Butler Institute of American Art

In the development of American Impressionism, Robert Vonnoh is significant both as a painter and as a teacher. He was one of the earliest painters to bring European impressionism to America and his canvases had cool tones and balanced compositions with much capturing of light and atmosphere. He completed more than 500 commissioned portraits, and he had a distinguished teaching career in Boston and Philadelphia.

Vonnoh was born in 1858 in Hartford, Connecticut and raised in Boston. He studied at the Massachusetts Normal Art School in 1875, and attended the Academie Julian in Paris in 1880. There he studied with Gustave Boulanger and Jules Joseph Lefebvre. In 1883, he returned to Boston where he taught at the Cowles School in 1884 and at the School of the Museum of Fine Arts in 1885.

The piece “In Flanders Field – Where Soldiers Sleep and Poppies Grow” is available for reproduction through the RequestAPrint gallery page found here.

Vonnoh studied French Impressionism and was impressed by Claude Monet, whose influence can be seen in his works of colorful landscapes and bright flowers. His painting at this time also demonstrates the dichotomy of many American Impressionists. Some of his works are almost Fauvist, with raw brilliant colors and paint laid on with wide brushes or palette knife, as in his painting “Poppies” in 1888. Other works from about the same time are done almost entirely in neutral tones, as in “Companion of the Studio”, a solid three-dimensional portrait of John C. Pinhey, who was a fellow student at the Julian Academy.

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(Information Credit: gratzgallery.com)

Individual Artist: David M. Band

 

David M. Band, a native of Portland, Maine, now lives in Texas. He has devoted the majority of his life to art as a painter, printmaker, educator and collector.

David is a member of Allied Artists of America, Inc., Audubon Artists, Inc., Watercolor USA Honor Society, Salmagundi Club, Artists Fellowship, Inc., and is a signature member of the National Watercolor Society.

His work can be found in the collections of the Butler Institute of American Art, Springfield Art Museum, Springfield, Mo., Davis Museum and Cultural Center, Wellesley College, Museum of Texas Tech University, Salmagundi Club, Dunnegan Gallery of Fine Art, and the United States Air Force collection.

He is the author of “Enrich Your Paintings With Texture”, North Light Publications.

To see David M. Bands collection visit this link: http://www.requestaprint.net/artist/gallery.php?gallery_id=20

Monica Allen-Perin: Individual Artist

Monica Allen Perin, a painter from her youth, began her fine art studies at the California College of Arts and Crafts, Oakland, California. She subsequently obtained a Masters degree in the decorative arts (Museum Studies) at the Fashion Institute of Technology in Manhattan and consecrated her theses to the garden frescoes found in and around Pompeii.

Teaching art history with the University of Maryland she continued to teach studio art and paint watercolors of the Italian country and seaside.

Following a move with her French husband to the South of France in 1998 she expanded her repertoire to include ‘buon fresco’ painting on fresh lime plaster in the manner of the Renaissance, and is currently involved in an important project to add fresco work to the façade of the parish church in Le Pradet, France.

Monica is also a US Navy artist attached to the Naval Historical Center at the Washington Navy Yard, Washington D.C. As a ‘combat’ artist she has passed numerous weeks in ex-Yugoslavia and more recently with the Sixth Fleet in the Mediterranean documenting daily life in an operational capacity on board an aircraft carrier or logistics support with a forward deployed unit. Monica has exhibited her watercolors in Italy, the US and in France, in particular in Marseille, Toulon (awarded best in show for watercolors at the Salon des beaux-arts 2002), and most recently in Cannes where she was awarded the silver medal at the salon international des arts and culture.

Monica teaches watercolor painting and fresco from her studio in France.

To see Monica’s work available for reproduction purchase click here