“Draper was commissioned as a Lieutenant JG in the Naval Reserve in June 1942. His first assignment was with the Anti-Submarine Warfare Unit in Boston. He transferred to the Art Section in Washington DC and shortly thereafter was sent to Alaska where he spent over five months in the Aleutian Island Chain Painting a series of 42 oils including Kodiak, Dutch Harbor, Umnak, Adak and Amchitka. He was present at the initial occupation and also the Japanese attack on Amchitka Island. He depicted the attack with bombs bursting and shells flying within close range of his foxhole. In making this series of paintings he ran into difficulties peculiar to the climate of the Aleutian such as eccentric winds blowing his canvas into the air like a kite and conditions of arctic weather that made painting only possible by wearing gloves to keep his hands from freezing.”
“In 1837, at the age of fourteen, Cropsey won a diploma at the Mechanics Institute Fair of the City of New York for a model house that he built. That same year he was apprenticed to the architect Joseph Trench for a five year period. After eighteen months, Cropsey, who had shown an early proficiency in drawing, found himself responsible for nearly all of the office’s finished renderings. Impressed with his talents, his employer provided him with paints, canvas, and a space in which to study and perfect his artistic skills. During this period Cropsey took lessons in watercolor from an Englishman, Edward Maury, and was encouraged and advised by American genre painters William T. Ranney (1813-1857) and William Sidney Mount (1807-1868).”
“Hiroshige’s artistic life may be characterized in several stages. The first was his student period, from about 1811 to 1830, when he largely followed the work of his elders in the field of figure prints—girls, actors, and samurai, or warriors. The second was his first landscape period, from 1830 to about 1844, when he created his own romantic ideal of landscape design and bird-and-flower prints and brought them to full fruition with his famed Fifty-three Stations of the Tōkaidō and other series of prints depicting landscape vistas in Japan. His last stage was his later period of landscape and figure-with-landscape designs, from 1844 to 1858, during which overpopularity and overproduction tended to diminish the quality of his work.”
Images from the Navy Art Collection will soon be on the set of the hit TV show, NCIS, starring Mark Harmon. The images featured are reproductions of Morgan Ian Wilbur works: “USS Cornado Rides A Sparkling Sea”, “Naval Air Over Korea”, “Steam For Speed”, and “Turnin’ & Burnin’”.
The episode will be shot from March 7th through March 18th. Keep an eye out for the upcoming season that will feature these pieces as set props!
Julie Mehretu (Ethiopian/American, b.1970) is an Abstract printmaker and painter. She was born in Addis Ababa, Ethiopia, and moved to Michigan with her family in 1977. She began her education at the University Cheikh Anta Diop in Dakar, and then went on to earn a BA in Art from Kalamazoo College, and a MFA from the Rhode Island School of Art and Design in 1997.
To order your own reproduction of the piece above visit RequestAPrint.
Mehretu has lived and worked in New York, NY, since beginning her career in 1999, but she also has a studio in Berlin that she uses for part of each year. She produces large scale prints, drawings, and paintings that use heavy layering to create Abstract imagery from patterns and architectural photographs. Hundreds of thin and translucent layers of paint and paper cover the canvas of each painting. Critics have linked her work to nonliteral art movements ranging from Futurism to Constructivism. All of her works, regardless of format, involve symbolism drawn from graffiti, city maps, and comic book graphics. Explosions and sharp or arching line work are constant themes running throughout her body of work. Mehretu has drawn inspiration from the large-scale works of Jackson Pollock and Barnett Newman.
One of the artist’s most widely known works is the 80-foot-wide mural located in Goldman Sachs tower entitled Mural. It is visible from the street, and was commissioned by the banking firm in 2010. Her painting Untitled 1is also popular and sold for over US$1,000,000 at Sotheby’s auction house in 2010. Mehretu’s drawings were included in an exhibition at the Museum of Modern Art in New York entitled Drawing Now: Eight Propositions in 2002. The Palazzo Grassi in Venice also hosted her work for their Praise Of Doubt exhibition in 2011. Her first major solo exhibition, Grey Area, took place at the Guggenheim Museum in New York in 2010. Her current body of work is part of a permanent collection in the Museum of Modern Art. Representation for Mehretu is handled by Marian Goodman Gallery in New York and White Cube of London. She has received the Berlin Prize, a MacArthur Foundation Award, and the American Art Award. Mehretu lives and works in New York and Berlin, Germany.